with soul, his first solo ep, alles andrs appears in a new, but not altogether unfamiliar light. the bavarian based producer sounds like an analog pop shepherd with clean fingernails, providing the needed feed for djs. here on his debut you will find three mind-blowing vocal house club bangers with over-modulated frequencies for the nightly sweat outbreak. this music is the easily-understood sonic language of alles andrs. he gives us space and depth, and the music is positioned somewhere within a sonic cosmos.

huge package from west end of exclusive or never before released versions of one of the highlights from their illustrious catalogue.... arthur russell s loose joints... is it all over my face? kon (king of nothing!) sourced the original stems to completely re make the track utilising both the female and male vocal parts in his outstanding -duet- mix. also included in the barnstorming 13 minute original version that s never seen the light of day... its significantly and dare we say on par with the original version! finally included is the rare as hens teeth original female vocal 3:10 7- version that was only ever released as a promo at the time. huge release that s set to cause ever lasting ripples in the disco music community!

just in time for summer! some serious heat from the darkest corners of the tk disco vaults, dug up, re-mastered and brought back to life for your listening and dancing pleasure! to say trama’s sole lp is a rarity is an understatement! released on tk offshoot cat records in 1977 its swaggering street-funk attitude, tight ass rhythm section, blistering arrangements and stellar vocal performances from a young donna allen has left beat digging, soul, boogie and disco freaks hot under the collar for over 3 decades! often selling on-line for tidy sums (£250 +) this lp is a true gem, now is your chance to own a %100 legit, tk disco sanctioned, vinyl copy of this killer soul lp. re-issued just the way it originally came out in 1977, no tricks. essential

the definitive guide to upfront and classic house! ltd 2015 backstock feature

wolf welcome their latest recruit, thrilogy to the pack. the ep opens with heaven, a gospel vocal, piano laden house beauty. the eps second track, hold me in your arms, with its long breakdown has summer festivals written all over. we cant wait to play this one in croatia! on the flip, another newcomer, k98 takes heaven up a notch into serious peak time territory.

norwegian duo trulz & robin throw down the gauntlet with the third vinyl-only statement from the cymawax label, delivering an acidic take on their patented ‘hot and crunchy techno with soul.’ the prolific pair from oslo have been a force in their country’s electronic music scene for over two decades, with massive singles for full pupp, eskimo recordings, and the cymasonic and cymawax labels to show for it. now, the agent acid ep finds trulz & robin infiltrating the secret lair of a 303 conspiracy and decoding a quartet of sonic documents full of heavy synthesized funk. the ep’s title track is a slinky introduction, featuring battling analog squelches and drum machine patterns while a disembodied vocal plays on top. “i disappear”, adding collaborator brokkoli on the voice, is a more in-your-face effort as its pulsating sequences give way to floor-thrilling breakdowns. the low end might of “magnetisk smultring” showcases trulz & robin’s experimental side, complete with a disconcerting middle passage that soon reveals gentle synth melodies over a hypnotic rhythm section. then “my body”, the release’s closing track, introduces mysterious feelings … percussive clicks and tones build steadily as dub effects, sharp washes, and ominous whispers take hold. the agent acid ep is another triumph for trulz & robin … a masterclass of covert nightclub maneuvers.

ltd warehouse find, two fantastic disco banger !! big
in november 2013, a mysterious 12 inch hit stores in very limited supply, and became a cult classic amongst those lucky enough to pick one up
despite its winter release, international smark endured through to last summer and became an underground anthem in the beach bars and under the stars. discogs prices rose accordingly and its still very much at the top of many wants lists
* international smark* (translation: international taste) opens with an 8bit techno tinged waltz before quickly floating into dreamy synth chords and staccato guitar licks.
featuring an infectious cross dialect narrative (swedish/finish) provided by international songstress tigerlight, the track comes across like a meeting between metro area and abba - two acts payfone cite as big inspirations.
* people* on the flip explores an electro-disco aesthetic bouncing along into the night with a heavily pitch affected vocal and angular bassline that drives an incessant groove

swedish producers mr. tophat & art alfie partner up to drop an intergalactic 2step rendition of luca cazals maya for a fidgety number that incorporates spacey synths and otherworldly chords. meanwhile on the flip spanish duo acid mondays deliver an infectious groove courtesy of convoluted percussion, mesmerizing synth licks and a purring bassline. tying things together brigante provides a rendition focused on undulating rhythms whilst vocal murmurs resound throughout the mix.

we are excited to welcome sebo k to tsuba for his first post-mobilee release with the aquamarine ep. lead cut *reach out* is trademark sebo centering around a nagging bassline and vocal hook that joins the dots between chicago house and modern tech house. *aquamarine* shows a deeper side to sebos production and for the remix we have enlisted one of the true greats, mr fingers aka larry heard. the result is a stunner, with live keys and a bassline that could only come from one of the pioneers of house music.

mark e makes a rapid return after the hugely successful e-versions series, we now embark e-work! while e-versions celebrated the full, dazzling shimmer of the disco ball lit dancefloor, e-work turns down the lights, and turns up the system for some pared down sonic sorcery mark channels his years of experience, digging, djing and producing to distill the essence of the chicago house blueprint & divert into an altogether more 21st century destination emotive, muscular machine jams then, in vocal and instrumental versions. lets work!

the second jungle wonz release on trax, again with harry dennis gorgeous vocals, was sub-licensed to both new york label vendetta and breakout in the uk (both subsidiaries of a&m), with some fine remixes by former area resident justin strauss. -this was one of the first house songs i ever heard when i was like 14- recalls felix da housecat. -marshall jefferson has been a huge influence on all my basslines. people usually think that basslines come from 80 s pop bands but they came from marshall jefferson. marshall jefferson is probably the best house producer of all time for this period.-

archie hamilton unleashes the works on sunday ep on fuse london, kicking off with mind blank - a kinetic slice of pure peak time goodness, the track kicks into a high gear right from the start with rolling percussion leading to the bass line which serves as the grooves motif. the eps vinyl only track works on sunday switches gear, delving into deeper, headier territory with a more melodic leaning, an ethereal vocal snippet imbuing proceedings with a blissful feel whilst label staples enzo siragusa and seb zito take works on sunday into a techier direction, toughening up the drums and roughing up the percussion on their remix...

with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very “after dark” can only be a lucky hit. but no, he’s knocking out the classic material just like that. another example? catalog number km028, his brandnew “trilogy” ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, “woods” is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. and once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that’s actually more of an a-competitor.

after the killer debut, money sex returns with another jaw-droppingly good selection, this time from imyrmind. another triumphant tapestry of sample sources, reinvented and ramped up into an effortlessly effective 6 pack. these guys are untouchable right now - accept no substitute!

pawas & schaffhäuser liefern hier einen lupenreinen slo-mo deep house-groover ab, der mit einem brillanten remix des holländers nuno dos santos (ehemals resident in amsterdams trouw) und einem funky-verspielten patrick zigon remix erscheint. *hunt* ist die erste kollaboration der langjährigen freunde pawas gupta und mathias schaffhäuser. alles begann mit pawas epischer instrumental version, welche mathias dazu inspirierte vocals dazuzumischen. dann bearbeiteten und produzierten beide die vocal version zusammen und gaben die vocals an den aufstrebenden kölner kompakt-star gregor schwellenbach weiter, der dann mit der rhodes darauf improvisierte. ein alter hausfreund von ware records, rudolfo irving (disco til you die), brachte schließlich die hedonistischen elemente des tracks auf ein neues level und beamte ihn auf den zeitgemäßen disco-tanzboden.

continuing on their stellar run of form sees villem & mcleod drop another release of top drawer drum & bass. aint no way is pure dance floor goodness. rolling drums, deep bassline stabs & vocal snippets all wrapped up perfectly. make tomorrow features the boys alongside friend totem delivering a blissful, summery roller to please anyone. twinkles of piano, female coos, distant horns shimmering along steppy drums. saved you is a digital exclusive & sees the men going more for a head down, minimal affair. something for everything on this one!

* couleba* gets reworked by heidelbergs groove ambassador, move d, and razor-n-tape boss, jkriv. the respective versions blend the analog players society s west african instrumentations and soaring vocal talents of missia saran diabate into a chugging atmospheric dub and a throwback boogie jam flush with jkrivs guitar chops.

need you back is a collaboration piece between the anonymous mystep character and vocalist frank h. carter iii. the original track and vocal laid the grounds for remix work by label regular jamie trench, and a most experimental remix by our new friend dudley strangeways. this release also commemorates 3 years of made fresh daily, it s been a hell of a lot of fun and learning so far. here is to another 3, mfd forever.

sources is a brand new series which will examine the output of a number of extremely influential independent u.s. labels throughout the 1970s, 1980s and 1990s.

42 copies only worldwide mint sealed stock imported from salsoul offices nyc original 1994 stock! this 4 lp box set set is a smash hit. one listen to songs such as: its good for the soul, salsoul rainbow, and tangerine and you too will be hooked. there is a great mix of instrumental and vocal tracks. this brings us all back to the good days of whirling strings and wailing woodwinds. you must purchase the compilation your money will be well spent!

fatsouls records is proud to present the 12- vinyl of the -popular side- jovonn remixes. if you are a genuine dance music supporter, you are no doubt familiar with jovonn s trademark gritty sound, phat bass lines and jazzy chords. jovonn brings his production qualities together in the superb fatsouls records -popular side- remixes featuring two tracks. the jovonn soulfrican remix on side a is a pure treat with afro soul vocals by adeniji heavywind. on the flip side, you have the sidestrumental remix which is an instrumental version of the same mix. here, the vocal starts later in the mix and it s striped down a bit. popular side is supported by many international djs and producers. among the supporter are : ron trent, kerri chandler, jerome sydenham, alton miller, tiger stripes, rainer truby, bob james, marcia carr, jojo flores,charles spencer, marques wyatt, & masterkev to name a few. this is an uplifting afro jazzy house jam at its very best, enjoy

nulectric records starts their first vinyl series with this four tracker, filled with exclusive tracks by its main members.
*hopeful* is the second release on nulectric records by nils bentlage and the first track of the ep. he created a techhouse influenced beat with decent choirs and rolling percussions. philipp lammers and ni no teamed up for *speaking up*, a constant groover filled with hip shaking percussions and glitchy vocal parts. tension continues with a minimalistic and mysterious groover called *dazed*. deep atmos and a jumpy bassline are creating a mood the title is promising. tim rehme follows with his interpetation of deep and dark house. *gravity lane* provides a perfect mood for the afterhours.

psyth launches with the debut ep from rob shields. with a delicate urgency driven by a pulsating post-punk bassline, shards lavishes layer upon rich layer of sound, evoking the cool grooves of peaking lights and chromatics, while a shimmering vocal sample from rebecca sawyer adds an otherworldly sense of longing that echoes through the soul of the release. silhouetted appears more conventional and dance-floor friendly next to shards, but under the surface is something unique and strangely exotic. a mantra-like melody loop gives a nod to minimalist composer terry riley and his solo organ works, while world instruments such as an african kalimba and tibetan singing bowl only heighten the hypnotic and intoxicating quality even further.

dear wanderer, ramona is happy to present the video dead, chinaski s debut-­ep for live at robert johnson. originally hailing from the high north of germany, rostock near the rough and stormy sea, the young man with interests in 80s video-­aesthetics and vintage synthesizers is now calling offenbach his home­turf. chinaskis ep starts out with time to kill, a straight forward hypnotizing jacker directly heading to the synthesized happiness. midnight workout features a different side to the young talent sensitive placed synth harmonies packed in a vintage-­pop interlude. after a journey through more harmonious domains, night school turns the page again and picks up on those synth-waves and put ramona away from her calm drive through the midnight heat, right on the dancefloor mesmerizing analogue deep housevibes all over the place.hide society steps out of context and mixes chinaskis affection for the warmth of these marvelous synth-­sounds with trippy post-­breaking or even proto-­hiphop sounds topped off with a weird vocal sample. the title­track the video dead summons all emotional power ramona could implant into a synthesizer, the heartbeat like reduced kick-­drum and hihats floating around the track are mostly incidental or not even there for the ears. purely visual.

up next on made of concrete is gathaspar with his gathsoland ep. with straight sounds and dark beats, gathaspar takes it down to the realm of shades. after the vocal heavy intro of gathsoland the subkick abducts you into areas of unknown soundscapes. through the stormy pads of the vision in cooperation with echologist the ep is brought down to a round figure by the combination of traditional elements of techno and modern interfaces in the last track the lover of ursa major.

’javiera gonzález, the as yet unknown talent in the western world hailing from the underground bliss of her hometown santiago de chile, presents her debut ep -meet me twice-. javiera’s vocal stylings are at once haunting and irresistibly creating a mood that inspires views of far away places, abandoned and alone, yet somehow bathed in hope. her talent for vocal improvisation paired with the funk-infused analog electronics by tobias freund and mario jarpa s organ interact perfectly on this 6 track release.’

for the third whole truth ep, the nameless producer is joined by la vocal duo lucid paradise, comprised of ishtar and e. da boss (the latter is best known as the deep-voiced half of stones throws myron & e). on *party down* extends the direction of the tom noble mix of myron & e s *do it disco*, bringing beautiful modern soul vocal stylings to a limber groove that could have graced west end records in 81. the pair also duet on *who s taking all the love?*, while the whole truth flexes his dub muscles and drops some deeply burnt chords. this ep follows releases on the whole truths self-titled label in collaboration with uk dub legend erroll bellot and anglo-mauritian producer, singer and vocalist mo kolours, which found favour with the likes of optimos jd twitch and mary-anne hobbs (bbc 6 music).

koos ludwig aka ion ludwig is a new part of the eklo team, the dutch guy is a close aide to the label since the beginning. he finally offered a wonderful two tracker to the eklo collection, full of mystery and grooves. ten canoes is a shamanic dub house trip, with futuristic and roots vibes, with a real story in it. on the flip, the realm is a house linn drum groover with an hypnotic bassline and an outstanding vocal. this ep is a vinyl-only release.

athens of the north presents two of the disco floaters from our previously unreleased aotnlp original friends and buddies, both of these versions are on 45 for the first time. the stripped down version of silence that you keep benefits from the more direct tight vocal. without the synths there is much more space in the mix which suits the melancholy deep disco groove so much better. on the flip po man has also been stripped right back to its more basic elements also for the better, less is so much more.

deep disco warrior the revenge turns in an epic hypnotic mix of slow burning house nailed down by analogue bass and acid. using a filtered vocal it builds slowly as the bottom end is tweeked towards a mesmeric journey through minimal wigged out disco. sleazy mcqueen and romano arcaini turn in a disco inflected house mix with congas, spaces out synths and enough dynamics to keep any dancefloor bubbling. it builds with added percussion and a filtered pad before the lead hits the break and the track comes back in with even more wallop. drug empire is an original off the album and has had support from the likes of rune lindbaek, crazy p’s hot toddy and horse meat disco. said to be inspired by theo parrish’s productions it’s a delicious slice of bass driven deep disco with a nod to the looser end of detroit and chicago. it’s all about the fully locked in three note analogue moog bass which holds down the grooved out drums before breaking to jazzy rhodes at the end. one for the heads.

building on a series of releases on labels like true type tracks, illegal alien records, and abstract mechanisms, roberto espinosa launches his visionary rhythm designation with micelio: tecnocigalpa ep. drawing inspiration from the natural methods of decomposition and regeneration (essentially the power of mushrooms), vr’s first reference is a 3-tracker that combines social commentary with rhythmic analog and digital waves, reinforced with ceremonial shakers, percussion, and textures obtained by buried mics to propagate an elemental underground vibration, and integrates the sharpening of a machete with the hi-hats to provide the energy to cut through negativity.

welcome back, okain! after his praised collaboration with onno resulting in their conjunctional triple o ep samuel thalmann a.k.a. okain is about to unleash four brand new tunes on his forthcoming upon.you-single coma. with the title track coma our french friend masterly crafts an enthrallingly bouncy mother of a tune walking the fine line between house and techhouse, serving swirling hi-nrg synth modulations and super ecstatic vocal bits for those who like to get into the groove. this track is prime time heaven for all clubbers out there

m.ono & luvless join forces for the seventh release on leipzig s much loved rose records the pair runs and curates alongside martin hayes & l.sluter. the duo impressed a few years ago with sought-after joint productions on upmarket labels like o*rs and kolour ltd and now steps up to the plate with a pair of pitch-perfect burners for their own imprint for the label s first 10- release. synth lines set the mood on the a with the delectable double you. crisp drums set the pace, carefully arranged percussive elements, a teasing vocal and a monumental breakdown take care of the rest. on the flipside we have happy chap. a quintessential rose fare with its tight drums, vocal snips and the sort of deadly piano work that is such a staple in m.ono and luvless productions.

vinyl only / poly lined inner sleeve / 180 gram / colored sleeve
dany rodriguez deliver his first ep ( i say this ) on his own label including 2 original tracks plus a fantastic remix from chris tietjen. first track (i say) features a melodic lead and a strong rhythm and all inside to burn the dance floor. second track (i say this) contents old analog sequence with a brilliant pad and a particular atmosphere and a de tuned vocal play it and you will directly feel the way. chris tietjen remix will work well on your summer time with a percussive rhythm and special vocal reworked by chris.

swedish underground powerhouses mr tophat & art alfie return to bass culture with their second ep for the label after the phenomenal success of their first outing, which picked up strong support from across the scene, particularly from ricardo villalobos. this time around, they drop two hefty slabs of disco-tinged house imbued with their own distinct flavour throughout. ‘dub the rub’ pumps along with an infectious groove, tough percussion powers along with a rolling bassline. watch out for the vocal-led breakdown midway through, killer! on the flip, ‘fnatt’ works around a more traditional melodic house motif, tender and bright with a lush b-line and captivating vocals made to move your body and soul.

we left herva & dukwa with a bunch of bangers with their latest ep -it fell down-… we found em back only after few months with their first lifes track longer player featuring an impressive variety of styles but always with their unmissable, raw and twisted up touch. this album of 8 tracks, spread in one twelve and a seven inches, starts on a side with the funky break of -needed-, continuing with the deep driving moment of -amore- and the hip hop beat of -put it on-. on the flip side instead we find the catchy vocal riff of the stomping roller called -freak with us- followed by the soulful ghetto tech vibe of “call it you” and the melancholic, romantic, stoned and rotten lullaby of -tired brass-. more tasty and unusual grooves are included in the tiny wax which close the record up, on a side the peaceful, abstract, suspended and atmospheric dimensions of * play with me* and on the other the glow-fi-sh and -emo--tech wave of -venere-. unmissible!

latest wicked bass instalment comes from lost 1990s tapes of an underground estonian production group, hupnosaurus. side a opens with muru, a simple ballad with its stripped kicks and funky string bass that gradually reach a lo-fi acidic house condition with psychedelic swirls appearing every now and then. bookworms provides a remix treatment with thick, multi-layered overdriven & looped madness that strips the original to a simple bassline and occasional industrial stabs. on side b, always in n out starts out as unorthodox blend of a classic techno kick and speed garage percussion, but after a long building spacey pad breaks into a classic filtered house tune with transposed chords and cut-up vocals that runs until the end of the track. the last title track demonstrates heavy stomping kicks, swinging hats, familiar psychedelic whirls and a trippy, crushed vocal sample appearing out of nowhere questioning where am i?

myk derill is one of the most interesting dub-techno artists. here he offers four great tracks of high quality and class. never hard but never soft. myk derill takes a turn for a more broken rhythm industrial looped with vocal.

secret stashs *twin cities* compilation rekindled the career of minneapolis soul singer sonny knight, who only released one 7 inch back in 1965. this album was 50 years in the making, with a new energetic & young backing band in tow his dynamic presence and vocal power quickly returned! real organic soul!

this time, they have collaborated with british producer and songwriter brolin, who has written a heart melting vocal for this release. as the lyrics and melody swirl across an uplifting instrumental, it becomes obvious that lost n free is the soundtrack for those introspective, early morning moments. the b side, doin it takes the release underground with its pulsing synths and piano stabs that gradually build over contagious basslines and swung drum hits.

having previously plied their wares on is it balearic and los grandes, spanish nu-balearic sorts two mamarrachos pop up on another suitably horizontal imprint, dependable leeds label joe s bakery. there style is sunkissed by druggy, with opener al andalus offering an exotic, chugging blend of foreboding, lowslung grooves and arabic synthesizer melodies. super disco dancer delves deep into the box marked experimental analogue electronic disco, with heady, spaced-out synthesizers sprawling all over a typically atmospheric, cosmic groove. let feel higher is, arguably, the most balearic of the three, with warm acoustic guitars and delayladen gospel vocal samples creating a suitably toasty, glassy-eyed mood

introducing the new vinyl only label, public system recordings, co run by matthieu foltyn and eric strykert. the first release is a split series ep from dj spider and grey people. starting off the ep, dj spider s mind field offers a percussive drum riff, warm synths, and a slight off beat rhythmic intensity that moulds together perfectly. next on spider s side is demon seed an intense journey utilizing deep stabbing kicks, delayed snares, whistling synths, and finishes with a soft subtle chant. flipping the record, grey people enters into the well familiar analogue techno spectrum. deep friday builds up with short stabbing cords, flickering snares and a spooky vocal. too much relevance is a rough acid chicago throw back. don t let this one slip!!

giant records is the new label from grant dell, a man that has been at the forefront of the tech-house scene for over 15 years and has amassed a truly enviable back catalogue of releases. giant s first release is from mark allister, whose skill for crafting a proper old school tech-house groove on -not going back- is more than matched by his talent for laying down vocals. complementing this original, jay tripwire turns in a self-styled marimba machine redux, whilst label head grant dell chooses to focus on allister s vocal for a remix that possesses keys that wouldn t sound out of place on a kraftwerk track. supported by mr g, doc martin, eddie richards, john digweed, richie hawtin

butoh opens the ep in steely, nervy fashion with skittish synths scurrying over rooted house drums. theres a shiny progressive like vibe to the synths that really suck you in and give off the air of flying through the cosmos whilst a heavenly vocal cry only adds fuel to the fire.

marking its 11th release, leicester-based label city fly welcome philpot regular tim toh to its already impressive roster spanning dj nature, fred p, andres, medlar and basic soul unit. the berlin artist is also renowned for his works on the likes of ornaments music, delusions of grandeur and mild pitch, and his idiosyncratic vision of electronic music is one shared with the discerning minds behind city fly. ‘endlessly’ is a track that melds interlinking rhythms with vocal snippets before easing in to a beautiful rhodes sequence containing all the hallmarks of an absolute floor filler. ‘everything’ then features the beautiful vocals of ranavalona to engineer a track dripping with pure soul, making way for a remix from thatmanmonkz that focuses on rhythm whilst boiling the piece down to a slice of timeless house. finally ‘expectations’ is a number exhibiting toh’s avant-garde approach to music production whilst still focusing squarely on the dancefloor.

nologo is back with 2 essential, tried and tested underground club tracks. orlando b serves up side a with dark world, an epic, slow burning, dark-house journey. dark world begins completely stripped back before the main hook, an eerie hypnotic vocal is introduced. funky percussive elements creep in which drive the piece forward and a deep minor pad heightens the tension setting the tone for the rest of the track. the energy builds gradually with the addition of a 303 bass line peaking just before the end, taking the listener on a dark hypnotic trip. on the flip, is none other than house & techno legend mr g who uses the dark world vocal but takes it somewhere new providing his own unique and distinctive flavour. mr gs rum remix is a dark and twisted peak-time banger, the high energy from the off set perfectly complementing the slower vibe of the original. plenty of sub and twisted synth action keeps the momentum high and the dark stab he uses punctuates the vocal nicely giving it a raw edge. dark world is an essential addition to the record bag for darker dancefloors. dj deep: i love this, your remix is super funky and dark at the same time!!! dope! tom (panorama bar): ufff nice and dark.....another mr g gem. to be served with the rum rush...

*in the beginning* is the inaugural release of romanian vinyl­-only imprint we play wax, that joins the italian giovanni damico and his close english friend tomson for a special 12 inch release that has both artists remixing each others original tracks. with a vocal featuring by keter darker and a beautifully designed dj­friendly package by romanian artist lar pavel, *in the beginning* is already making a buzz. out on the first day of summer on heavyweight 180­ gram black vinyl!